Collections overview - seasonal sculptural accessories and runway jewelry
How the collections are structured
Each season works as an edit rather than an overload. You should be able to scan a collection and immediately understand: the dominant materials, the color direction, the signature texture, and the intended styling use (statement piece, layered set, or single focal object).
- Season concept: a single core idea translated into form and surface.
- Material direction: transparency, crystal-like effects, or heavier sculptural volume.
- Color strategy: either restrained monochrome or carefully chosen contrasts.
- Construction logic: how the piece is built, worn, and photographed.
- Motion test: the collection must work in movement, not only in stills.
Spring/Summer 2011 - clarity, freshness, and engineered texture
The Spring/Summer 2011 direction is defined by “clean focus” presentation: no drama, no narrative noise - just the jewels on the body, shown from every angle, including close-ups that reveal construction. The palette shifts to fresh tones and transparency, with crystal-like elements and light colors, then pushed with sharp electric accents. Texture research is specific: forms and movement inspired by caterpillars, translated into surface rhythm and sculpted structure.
Practical takeaway: SS collections here are built to look “new” without becoming cute - freshness comes from clarity of form, not from decorative overload. If you are styling, this is the season where transparency and pastel notes can still read strong because the construction stays architectural.
Spring/Summer 2012 - imagery + video preview (movement-first)
For Spring/Summer 2012, the collection was presented with a strong visual package and an accompanying video preview - because these pieces need motion to be fully understood. The camera shows what a still image can’t: how volume shifts, how edges catch light, how a silhouette changes with body movement.
If you’re evaluating a collection (editor, stylist, buyer), treat the video as part of the product data. The “fit” of an accessory is not just measurements - it’s balance, weight distribution, and how it sits when the wearer turns, walks, or raises a shoulder.
Studio method - collections built from images and residual emotions
The atelier approach described around this era is brutally simple: consume visual input, extract what remains emotionally after it ends, and translate that residue into form. The collection concept is not literal storytelling - it is image memory, edited down to shape and material decisions. That’s why the output feels “designed” rather than “decorated”.
This is also why the collections hold up in editorial settings: they don’t require a costume narrative. They function as objects with their own internal logic - and that reads well in clean photography, runway light, and close-up detail shots.
How to browse this page (no wasted time)
Use this collections page like a checklist:
- Start with the season headline and short concept line (what the collection is trying to do).
- Scan materials and palette (what it will pair with in styling).
- Look for construction notes (how it’s built, how it’s worn).
- Confirm motion via video references when available (how it behaves on the body).
That’s it. If a collection can’t pass those four steps, it’s not ready for professional use.